Andy Warhol Movies

Andy Warhol's experimental reconstruction of the assassination of the President of the United States, John F. Kennedy, which serves as his critical...

A docu-comedy feature film about a once-famous millionaire "business artist" forced to confront his own legendarily obnoxious behavior, while trying...

One of two(?) 1964 screen tests of Childs. Runs 4 minutes, 24 seconds in length

1964 screen test of Herko running 4 minutes, 36 seconds in length.

Cathy James (also known as Catherine James) is posed in front of a purple background. The lighting seems not quite as severe as in her two other...

Charles Aberg, in a black turtleneck sweater, squints warily at the camera, which films him in a tight close-up of his head.

Henry Geldzahler, filmed ins oft focus against the sharply in-focus silver painted Factory wall, fills his time by placidly untying and removing his...

A screen test by Andy Warhol, of Kipp Stagg (Bima Stagg). ST326.

Rene Ricard in a lost Screen Test. The image was reproduced on the cover of the book ‘Screen Tests/A Diary’ (New York: Kulchar Press,...

Andy Warhol directs a single 35-minute shot of a man's face to capture his facial expressions as he receives the sexual act depicted in the title.

Two nuns take a bath, then meet a sailor on the Staten Island Ferry.

Andy Warhol "Screen Test" of a sixth-month-old Pénélope Palmer, going about her business.

In 2024 Katie Trainor, MoMA’s film collections manager, and Greg Pierce, the Andy Warhol Museum’s then-director of film and video, worked...

David Bailey, self-taught photographer and one of the prime architects of the Swinging Sixties, broadened his horizons in the early 1970s by making...

Jean Harlow-lookalike Harlot (Mario Montez), Gerard Malanga, Philip Fagan, and Carol Koshinskie (with a cat) sit in a room eating bananas as the...

One of the most important films in Malanga's body of work is his series of movie portraits of Andy Warhol from 1964-65. Comprised of seven individual...

Eric Andersen, wearing a blue-jean jacket and smoking, seems relaxed and cocky, intrigued by the experience of being filmed.

Beverly Grant entangles herself in her own hair; using it as a prop by spreading and lifting her long black tresses with long spidery fingers.

Alicia Purchon Clark looks around in a brightly lit room.

The model Imu faces the camera straight on, her face framed in a helmetlike haircut. The bright light causes her to blink nearly continuously; there...